Oil On Canvas, Real Flavor of Old Masters

All MOMPER, Joos de 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43722  
Extensive Mountainous Landscape, MOMPER, Joos de
  		 Extensive Mountainous Landscape   Oil on canvas, 96 x 140 cm
8252  
Flemish Market and Washing Place sg, MOMPER, Joos de
  		 Flemish Market and Washing Place sg   Oil on canvas, 166 x 194 cm Museo del Prado, Madrid
8250  
Helicon or Minerva's Visit to the Muses sg, MOMPER, Joos de
  		 Helicon or Minerva's Visit to the Muses sg   Oil on panel, 140 x 199 cm Koninklijk Museum voor Schone Kunsten, Antwerp
8251  
Landscape, MOMPER, Joos de
  		 Landscape   Oil on canvas, 174 x 256 cm Museo del Prado, Madrid
8255  
Landscape with the Temptation of Christ wg, MOMPER, Joos de
  		 Landscape with the Temptation of Christ wg   Oil on oak, 51 x 83 cm National Gallery, Prague
8254  
Mountain Scene with Bridges gs, MOMPER, Joos de
  		 Mountain Scene with Bridges gs   c. 1600 Oil on oak, 53 x 71,7 cm Wallraf-Richartz Museum, Cologne
8253  
Rocky Landscape with Monks sg, MOMPER, Joos de
  		 Rocky Landscape with Monks sg   1608 Oil on canvas, 111,5 x 150 cm National Gallery, Prague
8256  
Tobias' Journey wsg, MOMPER, Joos de
  		 Tobias' Journey wsg   il on panel, 90 x 136 cm Rockox House, Antwerp
8257  
Winter landscape sg, MOMPER, Joos de
  		 Winter landscape sg   c. 1620 Oil on panel, 49,5 x 82,5 cm Private collection
MOMPER, Joos de
Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen). also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to green and finally blue in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures.



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